Good morning friends, This is an update on my travels in the coming months.
I have scheduled visits to Sydney: Sunday 2 August to Sunday 9 August, and Sunday 6 September to Sunday 13 September.
Outside my scheduled visits to Sydney I visit Canberra, Wollongong and the Southern Highlands on an ad hoc basis.
I won’t be available for most of October because I have some personal commitments but I’ll be back again after that.
Also just an FYI, I haven’t added much to the Galleries in the last month, I’ve been occupied with construction and setting up a productive winter garden, bear with me I will see what I can do 🙂
This photo was actually taken at the end of June when the cygnets were about six or seven weeks old. I can report there are fewer now – five – but they are about twice the size. In the distance they look like a fleet with two aircraft carriers and grey destroyers round about. I would post a more recent photo but now the cygnets are larger the family has been staying further out and therefore out of range.
My Sydney visit could not have started better than it has. I actually came up early for a girlfriend’s birthday drinks. That was so fun. While I stayed in the Campari lane (Negroni much as I love it, is too strong for me), I was also introduced to the pretty amazing flavour of an Australian “smoked gin”. Does anyone know about this? I will make efforts to penetrate the local gin distilling scene and report back.
This evening I’ve done one of my favourite things – walking at night. I can’t really walk at night in the country (a) because it is too dark (b) it puts the farm dogs into a frantic (c) walking at night is really a city thing anyway. It’s all about the quiet lights radiating from houses, glimpses of people at home in their rooms with books and paintings or in their kitchens, or watching the tv, still city gardens – intimate landscapes, the harbour, city lights, the racket of occasional flying foxes.
This is a slice of my night walk, coming back over Darling Point, looking through the terraces toward Elizabeth Bay.
The best of all, is coming down the hill to Rushcutters Bay to hear one of my favourite sounds, rope gently thumping against the mast. And once there are a few boats rolling gently it’s like a gamelan orchestra. You never hear them tolling so clearly and gently during daytime.
I made a lovely little clip of the full moon and the gentle sound of rope against mast.
Dear friends For those of you who know me and follow the Letters from America, you are very welcome to get in touch with me in the usual way. I am still visiting Sydney on a regular basis. My next visit is from Monday 6 July to Saturday 11 July. You can see from the rather more austere version of the website that operations have changed somewhat. I can fill you in if you like, when we catch up. Meantime let me know if you would like me to send you the password for the Galleries on the website. I will continue to add to the Letters from America from time to time
This photo is a bit out of focus and overexposed but your glamorous aunt is doing real yoga. There are some lovely spots just off the highway to Canberra. This is one of them, at a rest area commemorating one of the bravest second war VCs, Diver Derrick VC.
In the Iliad there are one or two passages that changed the way I looked at poplars. Everyone knows I love trees. I already loved poplars. But now I love them even more. I have included one of the passages from Homer, which is about the death of a Trojan named Simoeisios. It follows a standard formula: the fall of the warrior in the battle, his precise wound, the story of his humanity, the metaphor.
There Telamonian Ajax struck down the son of Anthemion Simoeisios in his stripling’s beauty, whom once his mother descending from Ida bore beside the banks of Simoeis when she had followed her father and mother to tend the sheepflocks. Therefore they called him Simoeisios; but he could not render again the care of his dear parents; he was short-lived, beaten down beneath the spear of high-hearted Ajax, who struck him as he first came forward beside the nipple of the right breast, and the bronze spearhead drove clean through the shoulder. He dropped then to the ground in the dust, like some black poplar, which in the land low-lying about a great marsh grows smooth trimmed yet with branches growing at the uttermost tree-top: one whom a man, a maker of chariots, fells with the shining iron, to bend into a wheel for a fine-wrought chariot, and the tree lies hardening by the banks of a river. Such was Anthemion’s son Simoeisios, whom illustrious Ajax killed.
Letters from America These letters are my glamorous aunt’s posts on her adventures and her life and times as a ♦ mature Sydney escort ♦
Sunday 26 January 2020
I can’t write much about the fires: the volunteers, climate change, the failure of political leadership and will, the animals, the forests. And it’s beyond me to do an “I will donate X% of my earnings in January” thing (which a lot of generous escorts are announcing on social media), I just don’t have “the spoons” as they say.
I have deep feelings of loss and I can’t say a lot about anything.
Here is a photo of the beautiful spotted gum forest on the South Coast – it will have been incinerated. I don’t think I can get myself to visit again any time soon.
I spent many wonderful holidays on the South Coast where my grandparents bought a hobby farm when they retired.
Here are links to a couple of small wildlife rescue operations local to my new home, if you would like to donate.
I have been directly affected by the fires too. I’ve been told to evacuate by the local RFS four times now. (I did go promptly the first three times, the fourth time I dragged my feet). We will just have to see how February goes. It’s very dry, hot and windy. There are two fire fronts active close by: one to the South about 12 km away and one to East which has been as close as 5 km when it has been on the move. This is the fire map published on Friday evening:
It’s Australia Day though, so it’s barbeque time, and here is one version of the case to change the date (CW: this Youtube video is probably, as they say, entirely “off brand” lol):
I went to the Banksy exhibition at the Entertainment Quarter. If you go, it’s better not to buy tickets online – they are a much better price at the door. Also, to avoid walking around looking for the exhibition hall, go straight to the end of the main entrance road off Lang Road (I walked all around the place before I figured it out :-)).
Even though the Banksy images are such well known street art there was nothing “old” about the look of the show – mostly original stencils and various prints. Here are some of the street images from Google:
The organiser of the exhibition was manager/accomplice to Banksy for many years, Steve Lazarides. Banksy himself is still unidentified.
One of the best things about the exhibition was the use of videos – streaming on loop around the hall between the exhibits. They told the story of the extraordinary rise of the guerilla grafitti artist with his witty, anti-consumerist themes. It was a very well done story and made the exhibition a really coherent experience.
There was film called “Exit Through the Gift Shop” mentioned in some of the commentary of the exhibition, a film I’d never heard of. In the evening when I was home I looked it up and found a copy on youtube to watch.
The film was an extended commentary on the consumerist art market hype that Banksy parodies (and was itself a clever hoax). It started out purporting to be a documentary on Banksy, being made by a dotty French American amateur photographer/film maker. This character had, according to the film, doggedly followed Banksy for years on his secret missions trespassing at night to plaster his distinctive stencil posters and do his grafitti on buildings and signs all round the UK and both sides of the US. When it becomes apparent about half way through the film, that the quality of the documentary is hopeless, Banksy enters stage left (appearing simply as a dark hooded figure – no face – being interviewed) and persuades the film maker to become the subject of the narrative. So he does, and somehow sets about to transform himself into a grafitti and print artist (like Banksy) with a huge output (none of it displaying any talent or skill whatsoever). The reconfigured “documentary” then follows the film maker’s hugely successful first exhibition in Los Angeles (playing to the cynical undiscriminating art market hungry for the next “thing”). It’s done with a light enough touch though, to make it excellent fun to watch.
It reminded me of a documentary (but not a parody “documentary” at all), about Andy Warhol’s protegee, David Basquiat, who perished very young, apparently a victim of his own success. From the wrong side of the tracks, with no training, he suffered trying to cope with the hype of his spectacular conquest of the contemporary art market at a very young age. His tragic fate perhaps an outcome, at least in part, of the social realities that are the focus of Banksy’s work. Here are some images of Basquiat’s pictures – in a heavily worked totemic grafitti style.
And here is a link to the documentary film about Basquiat, which turned up in my internet searches when I was getting these images of his paintings: https://www.youtube.com/watch?v=U6ibOFlSM6o I think the film features (the real) Andy Warhol and (the real) David Bowie.
Following on from my earlier post about adventures in the Whitsundays, I wanted to add another image. These are the Norfolk Island pines, with their very distinctive geometry, everywhere on the Whitsunday islands. This is the ridge of the cove at Refuge Bay where we anchored overnight.
So it was Captain Cook who brought the seeds of the pines to northern Australia wishfully supposing they might provide timber suitable for masts.
I have always found it hard to be on the water in the Pacific and not think of Captain Cook, Joseph Banks and all the great naturalists. For quite a while one of my favourite non fiction books was a book called “Darwin’s Armada” by Iain McCalman. It’s an account of the great sailing voyages of Darwin’s peers. It’s absolutely compelling reading (if that’s your kind of thing). It’s ages since I read it but one of the passages that still stays with me vividly is an account of how the Pacific peoples must have experienced navigating, with only the simplest instruments and no charts – what resources, skills and understanding of the sea they must have had.
But then I am very partial to all things Charles Darwin (and his milieu). The Voyage of the Beagle is so engaging. Here is a favourite passage in which Darwin describes interactions with wild llamas.
I am back from lovely holidays sailing with friends in the Whitsundays. I have an excellent tan to show for it. I actually didn’t want to come back. The South African guy at the charter yacht company was no help either, just suggested I read the book with the self explanatory title “Sell up and Sail”.
This was the outlook when anchored overnight in a place called Refuge Bay:
In the evening I could hear a slightly mournful bird call. At first it sounded like a dove but it was too insistent. It turned out to be a couple of pheasant coucals calling to one another. (Don’t ask me how I figured it out, it was intuition confirmed by internet searches.)
Here are some images of the bird itself which I borrowed from Google:
I put this second image in because it has the fence wire for size. I have actually seen these birds and I can warrant they are concurrently large birds and small dinosaurs.
The “sell up and sail” caper is something I like to enjoy vicariously these days by watching youtube channels. My favourite channel is one called Free Range Sailing. It’s a youtube vlog maintained by an Australian couple who are cruising in a very modest yacht, mostly in tropical waters. Apart from the sailing, they do quite a bit of free diving on the reefs, spearfishing and exploring on shore. Pascal is a very good and resourceful cook. She also seems to be the creative lead in making the vlog – which is high quality well edited video. Her partner Troy is an excellent hand at keeping their 30 foot 50 year old yacht on track and in shape. He seems to handle the inevitable breakdowns of gear in good form and has a droll sense of humour. They are of course, “free range” so it all appeals to my tree hugging temperament. You aren’t going to find them zapping around churning up the peace of the natural world on jet skis any time soon. Highly recommend! And here is the link: https://www.youtube.com/channel/UCbU2ulPD3rJ4OZCNH7-gjjQ
I posted this selfie on Twitter last week. This is my new coat. I had to concede my favourite old pale trench coat was finished. Such a lovely, quality thing I bought in Double Bay ages ago, I had finally worn it out.
All this sentiment reminded me of the improbable scene in La Boheme where the old coat gets serenaded before being pawned to buy medicines for the rapidly declining Mimi, who is flushed with TB. Caruso’s version of the song – The Coat Song:
It’s a little while since I went to the opera. But it’s a much longer while since I bought student rush tickets for $5. In those days the opera theatre was often half empty. The audience always included elegant Hungarian women in mothball furs though. It’s great the opera is so popular now but it’s so sad the days of student rush are over. Those heavily discounted tickets gave impoverished students the incredible privilege of going to the opera several times a week when the season was on – what a life! xx MG