Creativity

Post #112 Tuesday 18 June 2019 – Newcastle Art Gallery

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Letters from America
These letters are my glamorous aunt’s posts on her adventures and her life and times as a
♦ mature Sydney escort ♦

Tuesday 18 June 2019

In the course of my recent excursions during May when I was away from work for a couple of weeks, I had the pleasure of going up to the Newcastle Art Gallery for the first time. It was a Saturday early afternoon and the occasion was the opening of a retrospective exhibition of the works of the Australian artist, Virginia Cuppaidge. Virginia was interviewed at the opening, to a very attentive audience. The paintings in the exhibition covered her work over a 40 year career spent in New York. She has recently returned to Australia to live.

Here is a photo of two of her pictures from the 1970’s:

And here is a sculpture made by the Australian Clem Meadmore, with whom she worked for a time in New York. The sculpture is entitled Virginia and lives in the Sculpture Garden at The Australian National Gallery in Canberra.

I became aware of Virginia’s paintings because I was friendly with her mother: author, botanical illustrator, japanophile and horticulturalist, Judy Cuppaidge. Judy and I became friends when Judy was in her 90’s: a more lively and remarkable person you could not hope to meet and, as she said, with her macular degeneration: “blind as welder’s dog.”

I’ve been planning to make a recording of one of Judy’s short stories, so you know what I sound like before we meet.

MG xx

Post #104 Sunday 25 November 2018 – Theatrical diversion

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Letters from America
These letters are my glamorous aunt’s posts on her adventures and her life and times as a
♦ mature Sydney escort ♦

Sunday 25 November 2018

I recently went to an interesting piece of “immersive” theatre called A Midnight Visit.  It was held in St Peters in a huge old empty furniture warehouse.  The drama was based on the stories and poems of Edgar Allen Poe.  We had to sign a waiver before entering.  We were each given a black surgical mask to wear while we stood around in the foyer.  There was an MC called The Undertaker who then selected people from the audience to enter the performance through different doorways.  We went into different rooms and spaces which were variously got up in detailed Gothic sets reminiscent of Poe themes.  The actors moved around in the spaces performing in among the audience.  There were music and dance performances woven into some of the story fragments.  Then there were features of the warehouse set which can only be described as playful – corridors and stairwells to climb through, mysterious rooms to explore.  One room was filled with CCTV screens “secretly” relaying what audience members were doing in other rooms.  Another room had a small sunken pool filled with soft pink balls and a sign saying No Jumping, and of course people did.  At one stage there was a regal seeming actor strolling around, who would seat himself strategically and beckon a member of the audience to come over.  He would then have an extended private conversation with that person.   He beckoned me at one stage and asked me, whispering, what was I afraid of.  It took me ages to decide but finally I said “uncertainty”.  He said Oh no, you don’t need to be afraid of uncertainty, you need to be afraid of people who text and drive! Lol.

It was clever in parts, apparently developed from a similar immersive theatrical adventure which has been showing for years in an extended season in New York called Sleep No More (based on Macbeth).  A Midnight Visit was ambitious and intriguing.  I could happily have stayed on exploring for another hour.  There are some great photos included in the link here to the review in the magazine Time Out.

xx MG

https://www.timeout.com/sydney/theatre/a-midnight-visit-review

https://amidnightvisit.com/about-the-experience/

 

Post #99 Sunday 26 August 2018 – In miniature

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Letters from America
These letters are my glamorous aunt’s posts on her adventures and her life and times as a
♦ mature Sydney escort ♦

Sunday 26 August 2018

Following a recommendation I braved windy William Street Darlinghurst and went down to the Australian Design Centre where I saw a remarkable collection of miniature streetscapes made by Joshua Smith.  They were fine works of craftsmanship recreating the patina of urban decay in  the shopfronts of poorer neighbourhoods.  Here is a photo of one of them:

It reminded me of the dioramas that used to be in the War Memorial in Canberra, which were battlefields recreated in miniature – tiny toylike scenes made for adults.

MG xx

 

 

Post #76 Sunday 4 March 2018 – Black Panther, blackberries, more black lingerie and Mardi Gras

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Letters from America
These letters are my glamorous aunt’s posts on her adventures and her life and times as a
♦ mature Sydney escort ♦

Sunday 4 March 2018

I went to see Black Panther during the week which was an all round adventure.  I was very taken with the animated font that was used for the credits at the end of the film.  So much so I did some searches and uncovered a version of the font that a fan had developed after having seen the film and also having been enthusiastic about the merit of the graphics.   The creative fan called the font Panther.  Here is an image I did using the font (I posted this on Twitter at the time I made it):

Perhaps the font won’t look much in this static form.  All I can say is the clever geometric unpacking of the font during the extended credit roll for the film itself was great, it was really captivating.

Something else pretty captivating happened during the week too.  I went roadside rambling in the country to pick blackberries – they are ripe just now.  These blackberries were not affected by any Council spraying (otherwise they would be well and truly dead) and the fruit was delicious.   The very day I picked the blackberries I received a wonderful photo from my resourceful friend M.E., which was a shot of his latest crop of home grown figs which he had just picked.  So I had my own fruit photo to match, just by luck.  Figs are an absolute favourite and if I am fortunate I may get a cutting of one of M.E’s fig trees to grow in the country when conditions are right.  Here is the pair of fruit bowls:

 

 

 

 

 

 

Last of all another selfie in black lingerie:

your glamorous aunt

MG xx

Signing out with a Mardi Gras wonder woman

 

Post #79 Sunday 25 March 2018 – Mapplethorpe and Araki

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Letters from America
These letters are my glamorous aunt’s posts on her adventures and her life and times as a
♦ mature Sydney escort ♦

Sunday 25 March 2018

Earlier this month I managed to get to the NSW Art Gallery to see an exhibition of the photography of Robert Mapplethorpe.  Here I am on the stairs posing with  an enlarged self portrait of the artist himself.

 

The challenging thing in the Mapplethorpe show is the kinky erotic photography  – predominantly homoerotic BDSM style scenes – some of them very graphic.

There is a common theme in all the work – erotica, portraits and kink alike –  and that is they have a “sculptural” feel to them.  It’s a very classical form and composition and the subjects are posed and still.   These are beautiful and accomplished images.

 

 

 

Here is one of the sculptural portaits in a classical style:

Mapplethorpe makes some images of kinky “domestic” scenes which are droll.  It’s incongruent to see a tough leather clad master slave couple in a Victorian pose in a 1960s lounge room.

And on the other side of the earth right now, there is an exhibition of photography showing at the Museum of Sex in New York.  There is something of the Mapplethorpe dilemma in this work too.  The exhibition is of the work of Japanese photographer Noboyushi Araki.

Many of Araki’s kinky erotic images are brutally challenging.  It’s hard to freely enjoy the brilliant aesthetic of Araki’s work because of the troubling depiction of feminine bondage and enslavement that features in so much of it.  And it’s troubling no matter what complex quality of consenting relationship the photographic models might have had with the great man.

Unlike Mapplethorpe there is far more candid imagery, action shots, and location work all of which make for a more dynamic subject matter – there might be stillness in the work but it’s only for a moment.  The erotic world of Aaraki is Dionysian.

But like Mapplethorpe there is also great humour in some of Araki’s erotic work.  Perhaps I should be asking a less obvious question: how did comic pornographic art get itself into the gallery…

Here are some Araki images, the one on the left I have posted before and it’s of the Yakuza crouched like a dragon.  The one on the right is a the lighter relief version of “the reptile within”, the lizard having been reduced to little plastic Godzilla figures in the corner.

 

 

 

 

 

 

 

 

 

 

Your glamorous aunt MG xx

Post #75 Sunday 25 February 2018 – Zen and the city

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Letters from America
These letters are my glamorous aunt’s posts on her adventures and her life and times as a
♦ mature Sydney escort ♦

Sunday 25 February 2018

In the background of one of my selfies I must have included the part of my loungeroom wall that has a scroll of Chinese characters hanging on it.   I say this because I had the pleasure of meeting a man who had taken the time to get a translation before we met.  He had read the characters from one of my photos.  I also had the pleasure of hearing from him an interpretation of the words on the scroll which was a totally new to me and quite different from any interpretation I had thought of.

The scroll itself I had made about 4 or 5 years ago.  I had found a beautiful Zen saying entitled Subtlety.  I searched about and discovered a Chinese scholar who worked at Macquarie University who was skilled in calligraphy.  He agreed to do the calligraphy.  He also recommended a man who could mount the work in traditional Chinese paper and fabric form.  So the calligraphy was done and the work taken to the scroll maker, and in time I came to own this lovely thing:

The translation of the Zen saying is as follows (reading down first the column on the right, then down second the column on the left):

Entering the forest, he moves not the grass;

Entering the water, he makes not a ripple.

I had, and still do have, a fairly literal interpretation in mind.  But my new friend had another interpretation, thus:  when you enter the forest you are so small in such a great expansive world inevitably your presence does not create any special disturbance.  And the same with water.  When you merge with the ocean you do not disturb the huge body of water, you become part of it.  You cannot disturb it.  And following on from this my new friend drew another parallel – the difference between the city and the village.  In the city your conduct will not be noticed but in the village everything will be the subject of judgment and comment.  And we both agreed how grateful we were that we lived in the city.  In the village we would not be so free to meet.

Yours MG xx

PS On another subject altogether, I give you this week’s before shot:

and the (glamorous) after shot:

Post #56 Wednesday 1 November 2017 – Latex, worms and other lives

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  Letters from America
These letters are my glamorous aunt’s posts on her adventures and her life and times as a
♦ mature Sydney escort ♦

Wednesday 1 November 2017

Earlier this year I decided to try an experiment on my worms, whose collective nickname is the Miriams (named after a favourite scientist Miriam Rothschild whose ground breaking work related to fleas, and later to butterflies).

The Miriams live in a black plastic two tray shelter (aptly branded the Worm Factory) where they compost my kitchen scraps.  I also give them things they are not reported to process but which I have found they do, namely significant quantities of orange peel, paper (suitably wet), coffee grounds, and odd pieces of cotton  such as old shoe laces.  I also found they ate most (but not all) of an old yoga mat which was made of woven jute on one side and later rubber on the other.

As it happened one of my items of latex clothing, a halter neck dress, perished.  I had not worn it in a while and for one reason or another it has just wasted in key places and could not be saved.  This kind of material fatigue is not uncommon especially if the latex dries out or has not been effectively cleaned.  And latex also simply expires from use over time.  It is an organic thing.

So I decided to experiment with the Miriams by including the latex in their feed, to see whether they would set about decomposing it.

I can report that at last examination the latex has not been touched at all.  Instead it was serving quite well as an impermeable layer in the Worm Factory trapping water and keep the whole thing moist. Here is a photo of that experiment demonstrating the outcome:

I meant to say this latex dress belonged to another life of mine which some of you are aware of.  And that is, I worked for some time, before I started escorting, as a professional Mistress in a BDSM dungeon.

Here is an old photo of me in the latex dress in one of the rooms at the dungeon, my apologies for the cut off head.

MG xx

Post #49 Monday 7 August 2017 – Charming dress made with light

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  Letters from America
These letters are my glamorous aunt’s posts on her adventures and her life and times as a
♦ mature Sydney escort ♦

Monday 7 August 2017

I am going to a festival at the end of September and camping in the bush (yes! your glamorous aunt does camping but only for a very good cause).  I want to create something special for the event, preferably something I can share.
I was inspired ages ago by a photo of a beautiful piece of clothing created with optical fibre.  This is the inspiring photo:

It’s lovely isn’t it?  I wanted to make something like this for the festival.

I may have left it a bit late for this year’s festival, but I will see what I can do all the same.  Progress reports will be posted (that’s  if there is any progress lol).

I really wanted to make a piece of clothing that I could easily share – like a cape which might be made to  look like a set of wings.  May be too ambitious.  With the constraints of time and knowledge I thought perhaps  I could  get an el cheapo version of  the fibre optic creation from ebay or etsy,  wear it for this year’s festival,  and then reverse engineer it to discover how I can make creations myself for mext year.  Once I have that practical knowledge I can make the clothing to share that I originally wanted to do, and slope off to the next festival laden with treasure.

So these are the el cheapo versions I have been looking at online.  Any preferences?  Recommendations?

 

 

 

 

 

 

 

 

 

 

 

 

OK my friends I have been out of touch for all of two weeks – no posts!  I am sorry to say but I have had the flu again…

So I have missed you and will make up.

Your glamorous aunt

MG xx
Looking ahead to a luminous experience over the October long weekend – in the forest – with a few thousand hippies
but hippies who can actually do things – not hippies who just lie around smoking dope